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A juror at a murder trial is convinced the defendant is innocent.

"Let us part - while we‘re good," Bagrat says to the peasants who have sheltered him, bleeding, from his pursuers. Let's part before any of you betray me... Love and hatred, meanness and courage, betrayal and self-sacrifice - everything that a romantic, adventurous plot requires (and that is also found in everyday life!).

David (Jiří Macháček) has one task: to investigate paranormal cases. But he doesn't feel like it. It's the 1980s, and there are a lot of annoying people who call each other "comrade." He doesn't believe in anything paranormal anyway. He prefers to sit in his office, pretending to work on research into satanic references in Western music, and enjoys listening to LPs that no one else in the country has. The world would be beautiful, but his superior assigns him a new colleague, Vojta (Jan Cina). This overzealous newcomer talks about pushing the boundaries of human knowledge and how science doesn't have answers to all the mysteries of the world yet. This mismatched duo has no choice but to cooperate in investigating bizarre cases that all other security forces in the state can't handle. To make it harder, they are constantly monitored by a pair of StB agents – the tough agent Snížková (Anna Fialová) and the sweetheart Hora (Leoš Noha).

Kenzie Taylor is having an extremely stressful month. Due to the writer's strike, the film she was directing has fallen apart, her stepsons Gal and Elias are constantly fighting and driving her crazy, her bills are piling up and she's about to have a meltdown. Luckily, her loving husband Chad notices how stressed she is and proposes they throw caution to the wind and take an impromptu vacation to visit Kenzie's eccentric sister Barb, who lives a few states away. When she goes to break the news to her kids, she's hit with a whole new set of problems. They have just found out that she's not just a film director, but also secretly directing porn!

A romantic drama about a once broken-up couple living together again and learning about each other.

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Through a tapestry of letters, journals, and artworks, Chicago-based artist and filmmaker Reveca Torres engages in dialogue with celebrated painters Frida Kahlo, Vincent Van Gogh, and Henri Matisse. Bridging time and space, she intertwines the lives and works of the venerated masters with those of contemporary artists, including notable Chicagoans Matt Bodett, Maggie Bridger, and Genevieve Ramos, beautifully expanding notions of disability. Filming from a uniquely intimate point of view, Torres attaches the camera to her wheelchair through mounts, expressing herself through tracking shots, 360 degree pivots, and distinctive framing. Along with a range of iconic images, from Van Gogh’s sunflowers to Kahlo’s famous corsets, Torres connects her predecessors’ work with her own life, creating a deeply thoughtful reflection on the relationship between creative expression and the complexity of life with disability.

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